Mâäk / MikMâäk

Portraits

"Mâäk" is a cry, instigated by Laurent Blondiau, the trumpet player and founder of the group together with tenor saxophonist Jeroen van Herzeele: a way of saying on stage "Yes, this is great! Come on, guys, come on!", before also becoming a way of saying hello amongst musicians. In 1998, Blondiau and van Herzeele joined forces with double bass player Sal La Rocca and the Dutch drummer Hans van Oosterhout to form a quartet dedicated to performing Ornette Coleman’s music along with original compositions, but always with the aim of maximising improvisation.

Very quickly the team transformed in accordance with the urges and moods of the compositions: Michel Massot, Eric Thielemans, Otti van der Werf, Jean-Yves Evrard and Guillaume Orti in turn joined the group, which would stabilise around four blowers – Blondiau, Massot, Orti and van Herzeele - and a drummer, João Lobo.

As these are musicians who essentially focus on the spectators, Mâäk do not wait for a traditional concert to express themselves, but instead seek out an audience, wherever they may be, on a daily basis. As a result, the project "Il n’y a pas de fraises en hiver" (‘There are no strawberries in winter’) - an initiative of guitarist Jean-Yves Evrard - was born as a sort of itinerant happening which to date has been staged some forty times in the most unlikely of places: a washhouse, a butcher's, a hairdresser's, a garage, a canteen, and Brussels National Airport, to name but a few, resulting in music that is always improvised, festive, and surprising.

Drawn by African rituals and trance music, Laurent Blondiau often travels between Morocco, Mali, Benin, Burkina Faso and South Africa to create new musical projects: Kojo fused Mâäk’s trademark sound with that of Vodun, the sacred music of Benin, whilst Stroke saw the group collaborate with South African spoken word artists. The 2004 album Al Majmaâ featured Gnawa Express de Tanger from Morocco, and most recently the band has worked with oud player Moufadhel Adhoum and singer Ghalia Benali from Tunisia on the 2017 release MwSOUL.

Mâäk describe their sound as intellectual music, but music which seeps into the bones, which grabs you by the arm and doesn’t let go. Their latest project is called MikMâäk, a large formation of seventeen musicians in which order and structure is kept to a minimum and the wind of freedom and instantaneous pleasure is allowed to blow freely.

Contact information

MetX – Mâäk
Laurent Blondiau (Artistic Director of the Mâäk collective)
+32 4 77 49 11 59
laurent@metx.be
www.metx.be
http://maaksspirit.be/

Photo © Laurent Poiget

Auteur:
Jean-Pierre Goffin

Jean-Pierre Goffin (1953) has been writing jazz cronicles, interviews and concert reviews for the magazine L'Avenir for more than 20 years already. He also writes for several websites and magazine LARSEN

Terug naar boven